Is redemption possible in hip-hop? Can an artist, having incurred the wrath of his original listeners, ever win them back? I think this is the big question with Jay-Z's latest offering, Volume 3.

There's no question that this is a good album. It's light years better than either Vol. 1 or 2. Both of these sold like hotcakes, and there's little doubt that Vol. 3 will do the same. Mr. S. Carter's challenge this go 'round then, is to try to win back fans of his debut album, the classic Reasonable Doubt. Many of these fans were overwhelmed by the mediocrity of Jay's second and third albums, but some remained hopeful as the arrival of Volume 3 drew nearer.

Those who realized Jay-Z's talent, and refused to accept anything but a top quality effort from him have largely been vindicated on this offering. Aside from a few glaring misses, such as the horrible track with Mariah Carey, produced by Casio (oops, I meant Swizz Beats), this album should manage to appeal both to Jay-Z's more hardcore fan base as well as his newer commercial following. Lyrically, his range of subject matter remains fairly limited, but his sheer charisma, storytelling ability, flow and delivery will have you hooked.

You generally can't go wrong with Primo on production, and when you include as talented a lyricist as Sean Carter, the result is a gem like "So Ghetto." Other tracks to check for include "Dope Man" featuring Timbaland on production. This is a brilliant song, with Timbaland changing up a style that was becoming almost predictable. "Big Pimpin" featuring UGK, "It's Hot (Some Like It Hot)", and "Pop 4 Roc." Amil's verse is nothing spectacular, but Bleek and Beanie Mack rip this one up, as does Jay. "Watch Me," which features production from Dr. Dre. Even "Snoopy Track" with Juvenile is bearable, as Juvi is limited to just doing the hook, which can't distract you from Jay's delivery.

The final verdict: While probably not as good all around as Reasonable Doubt, this album is a solid effort from Jay-Z. He's avoided the pitfall of too many guest artists, while still having enough big names on his CD cover to attract those less convinced of his ability to hold down an album by himself. This album is all Sean Carter, and I'm really feeling it. Don't sleep just because of his last two efforts, give this one a chance. You won't be disappointed.